{"id":3588,"date":"2018-06-20T10:57:30","date_gmt":"2018-06-20T10:57:30","guid":{"rendered":"http:\/\/www.cronicadeseverin.ro\/?p=3588"},"modified":"2018-06-20T10:57:30","modified_gmt":"2018-06-20T10:57:30","slug":"poetii-de-langa-noi-gabriela-mimi-boroianu","status":"publish","type":"post","link":"https:\/\/www.cronicadeseverin.ro\/?p=3588","title":{"rendered":"Poe\u021bii de l\u00e2ng\u0103 noi:  GABRIELA MIMI  BOROIANU"},"content":{"rendered":"<p><a href=\"https:\/\/www.cronicadeseverin.ro\/?attachment_id=3589\" rel=\"attachment wp-att-3589\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-3589\" src=\"https:\/\/www.cronicadeseverin.ro\/wp-content\/uploads\/2018\/06\/DSC1572-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.cronicadeseverin.ro\/wp-content\/uploads\/2018\/06\/DSC1572-300x200.jpg 300w, https:\/\/www.cronicadeseverin.ro\/wp-content\/uploads\/2018\/06\/DSC1572-768x512.jpg 768w, https:\/\/www.cronicadeseverin.ro\/wp-content\/uploads\/2018\/06\/DSC1572-1024x683.jpg 1024w, https:\/\/www.cronicadeseverin.ro\/wp-content\/uploads\/2018\/06\/DSC1572-250x167.jpg 250w, https:\/\/www.cronicadeseverin.ro\/wp-content\/uploads\/2018\/06\/DSC1572-660x440.jpg 660w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Mult\u0103 vreme, sintagma \u201dliric\u0103 feminin\u0103\u201d a fost recepetat\u0103 peiorativ, ca o formul\u0103 condescendent\u0103, u\u0219or discriminatorie; de fapt, ea nu face altceva dec\u00e2t s\u0103 eviden\u021bieze un anumit tip de sensibilitate estetic\u0103, o luare \u00een posesie, la nivel artistic, a universului din care facem parte \u0219i pe care \u00eel intuim \u0219i \u00eel transfigur\u0103m \u00een func\u021bie de aceast\u0103 sensibilitate tipic feminin\u0103.<br \/>\nTextele \u0219i c\u0103r\u021bile Gabrielei Mimi Boroianu ilustreaz\u0103 cu prisosin\u021b\u0103 lirica intimist\u0103, interioritatea, cu pliurile ei sensibile, pulsatile, cu delicate\u021bea st\u0103rilor \u0219i atitudinilor unei feminit\u0103\u021bi deopotriv\u0103 fragile \u0219i rezistente. \u00centrebat\u0103 fiind asupra \u00eenceputurilor ei \u00eentr-ale scrisului, Mimi Boroianu \u0219i-a amintit de compunerile \u0219colare \u0219i de aprecierile dasc\u0103lului Mocioalc\u0103, iar mai t\u00e2rziu de influen\u021ba benefic\u0103 a profesorului \u0219i prietenului Constantin Stana. Scrie constant, din 2013, av\u00e2nd publicate deja volumele: C\u0103ut\u00e2nd iubirea (Ed. Editgraf, 2014), Balada iubirii (Ed. StudIS, Ia\u0219i, 2015), Jurnalul unei muze (Ed. StudIS, Ia\u0219i, 2016) \u0219i Efemeride (Ed. StudIS, 2017). Public\u0103, de asemenea, texte \u00een numeroase antologii \u0219i reviste din \u021bar\u0103, primind mai multe premii \u0219i distinc\u021bii pentru activitatea sa literar\u0103. Cine \u00eei cite\u0219te textele \u00een diacroniai lor, observ\u0103 c\u0103 Mimi Boroianu este, \u00een general, adepta unei formule lirice tradi\u021bionale, mai ales la nivel formal. Are ceea ce se cheam\u0103 \u201d\u0219tiin\u021ba\u201d versului cu rim\u0103, recurg\u00e2nd adesea \u0219i la poeziile cu form\u0103 fix\u0103 (sonetul, rondelul) care cer o anumit\u0103 disciplin\u0103 prozodic\u0103. Dincolo de rigoarea formal\u0103, se contureaz\u0103 un imaginar liric \u00een care se conjug\u0103, recurent, aproape obsedant, sentimentul desperecherii, al ruperii androginice \u0219i al nostosului. T\u00e2njirea dup\u0103 cel\u0103lalt, dorin\u021ba compulsiv\u0103 a re\u00eentregirii. Acesta este semnul sub care se a\u0219az\u0103 \u00een special volumul EFEMERIDE (2017), cel mai recent din seria de autor. Se cuvine s\u0103 remarc\u0103m faptul c\u0103 prozodia tradi\u021bional\u0103 este abandonat\u0103 \u00een favoarea versului liber, iar textele se subsumeaz\u0103 titlului generic, fiind numerotate de la 1 la 63. Exist\u0103, potrivit DEX, c\u00e2teva sensuri ale acestui cuv\u00e2nt derivat de la adjectivul efemer; f\u0103r\u0103 \u00eendoial\u0103, poate sa-a g\u00e2ndit la sensul figurat, acela care trimite la \u201dg\u00e2nduri, idei, st\u0103ri trec\u0103toare\u201d; un titlu cu o trimitere \u00een\u0219el\u0103toare, c\u0103ci fiecare dintre cele 63 de \u201defemeride\u201d este un punct in crescendo \u00een foaia de temperatur\u0103 a tr\u0103irilor lirice.<br \/>\nPrimele 23-24 de texte configureaz\u0103 biografia omului care scrie, tr\u0103itor sub cupola sufocant\u0103 a unui ora\u0219 provincial, cu \u201dstr\u0103zi zumz\u0103itoare\u201d \u0219i \u201dblocuri cenu\u0219ii\u201d, un ora\u0219 \u201d\u00eemb\u0103tr\u00e2nit\/ de griji\/ de nevoi\/ de resemnare\u201d, cu oamenii tri\u0219ti\/umbre\/ce se aventureaz\u0103\/ \u00een cotidian\u201d. \u00centr-un astfel de spa\u021biul, poetul e doar un observator care filtreaz\u0103 contingentul prin decupaje care au, fragmentar, statutul unor arte poetice: \u201dcuvintele\/ fluturi de noapte\/ r\u0103ceala aerului\/ s\u0103geteaz\u0103 luna\/ \u00eens\u00e2nger\u00e2nd pove\u0219tile\/ce se vor scrie\/ pe zidurile cenu\u0219ii ale blocurilor\u201d; \u201dbordurile gem\/ca ni\u0219te m\u0103sele stricate&#8230;\u201d; \u201domul modern &#8211; \/ un vid \u00een care curge \u00eentunecime\u201d. Accente vag nichitiene se reg\u0103sesc \u00een alte texte: \u201d\u00een ora\u0219ul\/ cu sufletul sf\u00e2\u0219iat\/de ghearele reci\/ ale vremurilor\/\u00eengerii cuvintelor\/ s-au \u00eenchis \u00een pietre\/ \u0219i tac&#8230;\u201d(43).<br \/>\nMitul perechii, \u00eentr-un astfel de spa\u021biu golit de substan\u021b\u0103, de miez, r\u0103stoarn\u0103 vechea poveste a lui Orfeu \u0219i Euridice: femeia \u00ee\u0219i desplete\u0219te p\u0103rul \u00een versuri care clameaz\u0103 fiin\u021ba eteric\u0103 a celui pierdut: \u201duneori\/ simt c\u0103 am murit pu\u021bin\/ odat\u0103 cu tine\/ \u0219i am r\u0103mas\/ a\u0219a\/ ag\u0103\u021bat\u0103 \u00eentre cer \u0219i p\u0103m\u00e2nt\u201d(45); \u201dtu m\u0103 \u021bineai de m\u00e2n\u0103\/ \u00een visul meu\/ \u0219i \u00eemi vorbeai\/ de p\u0103s\u0103ri\/ de umbrele s\u0103lciilor\/ de mirosul de ap\u0103&#8230;\/ scara mi se a\u0219az\u0103\/ ca o mantie rece pe umeri\/ realitatea m\u0103 str\u00e2nge \u00een pumnul ei\/ \u021bip\u00e2ndu-mi lipsa ta\u201d (41).<br \/>\nAmintirea fericirii \u00een doi e resim\u021bit\u0103 profund sinestezic. Singur\u0103tatea cu \u201ddegete noduroase\u201d \u0219i-a insinuat prezen\u021ba \u201dpar\u0219iv\u0103\u201d \u00een via\u021ba celui desperecheat: \u201d\u0219i-a f\u0103cut obicei\/ s\u0103 stea cu mine la mas\u0103\u201d (48).<br \/>\nTimpul, vidul, \u00eensingurarea, umbra \u0219i, \u00een cele din urm\u0103, moartea sunt recuren\u021be notabile \u00een lirica Gabrielei Mimi Boroianu. Amintirea celui dus este, \u0219i ea, o efemerid\u0103, o parte din moartea de fiecare zi a celui r\u0103mas: \u201d\u0219i atunci \u0219tiu\/ c\u0103 tr\u0103ie\u0219ti \u00een carnea mea\/ c\u0103 niciodat\u0103 nu te-am pierdut&#8230;\u201d (63)<br \/>\nF\u0103r\u0103 \u00eendoial\u0103, Gabriela Mimi Boroianu \u00ee\u0219i \u00eenscrie deja destinul artistic pe o dimensiune benefic\u0103, reconfortant\u0103 prin profunzimea discursului liric. Are sub tipar un nou volum de versuri, \u201dNostalgiile cuvintelor\u201d, pe care \u00eel a\u0219tept\u0103m cu interes.<\/p>\n<p>VIORICA ST\u0102VARU<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mult&#259; vreme, sintagma &rdquo;liric&#259; feminin&#259;&rdquo; a fost recepetat&#259; peiorativ, ca o formul&#259; condescendent&#259;, u&#537;or discriminatorie; de fapt, ea nu face altceva dec&acirc;t s&#259; eviden&#539;ieze un anumit tip de sensibilitate estetic&#259;, o luare &icirc;n posesie, la nivel artistic, a universului din care facem parte &#537;i pe care &icirc;l intuim &#537;i &icirc;l transfigur&#259;m &icirc;n func&#539;ie de aceast&#259; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3589,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[39,1832,1831,1830,40],"class_list":["post-3588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-cronica-literara","tag-efemeride","tag-gabriela-mimi-boroianu","tag-poet","tag-viorica-stavaru"],"_links":{"self":[{"href":"https:\/\/www.cronicadeseverin.ro\/index.php?rest_route=\/wp\/v2\/posts\/3588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cronicadeseverin.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cronicadeseverin.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cronicadeseverin.ro\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cronicadeseverin.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3588"}],"version-history":[{"count":0,"href":"https:\/\/www.cronicadeseverin.ro\/index.php?rest_route=\/wp\/v2\/posts\/3588\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cronicadeseverin.ro\/index.php?rest_route=\/wp\/v2\/media\/3589"}],"wp:attachment":[{"href":"https:\/\/www.cronicadeseverin.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cronicadeseverin.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cronicadeseverin.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}